![]() ![]() In the preceding years you could pick out the four seats in front of the board and go: “Mick sat there, Jimi sat there, Janis sat there.” It was up there with Muscle Shoals and Sun Studio. “It was the first stop for anybody who was anybody. “The Record Plant was like hallowed ground,” says Perry. But inside the studio it was all about reaching for the greatness of their heroes. In the world outside, the Weather Underground bombed the US State Department’s office in DC, Margaret Thatcher was elected leader of the Conservative Party in Britain and Space Mountain opened at Disney World. There was a lot of camaraderie and laughter.”Īrriving in NYC in the middle of what Steven Tyler called “a spine-chilling, ball-freezing winter”, Aerosmith started tracking Toys at the Record Plant during the second week of January, 1975. We’d take the raw ideas that Steven and Joe brought in and rehearse the living shit out of them. At the same time, he had this insane sense of humour, so it was a really fun process. “He knew how to have authority, how to really tell us what he thought and get us to try to new stuff,” Hamilton adds. “He had great ears and was really encouraging.” “Jack was like the sixth member of the band,” Perry says. After a holiday break, the band spent a week with producer Jack Douglas in a converted barn in Ashland, Massachusetts, jamming and sorting through song ideas. The final tour dates in December ’74 were three sold-out headlining shows in their home town of Boston. ![]() As a songwriter you start thinking in terms of: ‘If I was sitting in the audience, what would I want to hear?’ That gave new focus to the songs that ended up on Toys.” And through constant touring we learned what kinds of songs and grooves went over best. We felt like if we could win the heart of America, the rest of the country would follow. “We were playing bigger venues before bigger crowds,” says Perry. The confidence that had been building on the road carried over into the studio.
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